Saturday, May 20, 2017
Monday, May 15, 2017
Yesterday was Mother's Day, and also the annual celebratory parade for the Social and Pleasure Club Original Big Seven. As I stood on St. Bernard Avenue waiting for the parade to cross Claiborne, the crowd was full of mothers and children, holding hands. Many mothers were wearing corsages, and the children were wearing hair-bows. Everyone was wishing one another "Happy Mother's Day!"
The sound of revved motors split the air, and around the corner came a fleet of women on sleek and fancy motorcycles. They wore helmets adorned with bright pink mohawks. They made a pass up the Avenue, made a U-turn through the neutral ground, and circled back, parking their bikes in formation at the curb.
Wednesday, May 10, 2017
Monday, May 8, 2017
El Chapo is a little white puppy beloved of many people at Vaughan's Lounge, but the person who loves him the best is Big Chris.
And El Chapo loves him back. Here's El Chapo at the door, recognizing the sound of Big Chris's van pulling up outside.
Thursday, May 4, 2017
Wednesday, May 3, 2017
I've abandoned you. I'm sorry. But I'm back.
It's been a long time - since Mardi Gras. I have completed my spring semester. I've also embarked on a new path.
In March, I undertook a training program to be a licensed tour guide in the city of New Orleans, through the Friends of the Cabildo, a local historic preservation group. I will be part of their team of guides giving walking tours of the French Quarter. It's fun and it's also challenging.
Right now it is the weekday interim between the two weekends of Jazz Fest - officially called the New Orleans Jazz and Heritage Festival. This is a huge music and cultural blow-out; major national bands alongside local bands and players, food tents and vendors and booths for cultural groups, all arrayed out at the fairgrounds. I'm not a big festival fan, but what I like is how the rest of the city's cultural life is enriched by the presence of so many musicians and music fans during this time.
Yesterday afternoon I was treated to a performance by one of my favorite musicians, singer and songwriter Dayna Kurtz, at Euclid Records, with Robert Mache.
Last night at Vaughan's Lounge, a couple of bands rocked the house - Jamaican Me Breakfast and the Fortifiers.
Tonight is Blood Jet Poetry reading at BJ's Bar, and tomorrow Corey Henry kills it at Vaughan's.
Who knows what Friday will bring?
Having this much fun is exhausting!
|February 16, 2017|
We walk through Crescent Park, which follows the curve of the Mississippi River downtown from the French Quarter. We walk from the Mazant Street Wharf down to Mandeville, where a footbridge takes you over the railroad tracks. That's where we stop and turn around.
|Today - storm clouds brewing.|
Saturday, March 4, 2017
Tuesday, February 28, 2017
It was 6:30 in the morning, I was exhausted after a late night of revelry. But suddenly the sound of beating drums broke through my sleep. At first I thought it was the garbage men, but this wasn't their pick-up day.
Then I heard brass band music. Good Lord, I thought, who's practicing this early?
But something made me jump out of bed, throw a jacket on over my pajamas, grab my camera, and look out the front door.
There on Chartres Street, a few costumed people were assembled, and they were looking with anticipation downriver. The sound of the brass band got louder. I ran down to the corner. "What is it?" I asked a young woman there.
"It's Eris," she said. Then she looked me over. "You might as well come with, Looks like you got everything you need."
Named after the Greek Goddess of Discord, the Krewe of Eris is a renegade parade. In one 2011 neighborhood rag article, it was described as a "permit-disdaining anarchic foot parade....an explosion of beautiful costuming and craftsmanship that runs wild through downtown, clogging streets in boisterous celebration of unrule."
It was a wild, raucous, rag-tag bunch. The smell of marijuana was strong in the air. Costumes were made of rags and bits and tree branches and palmetto fronds. Paraders balanced on the bullwarks, crowded the verge of the levee. Some young men clambered up the side of the train cars and danced on top of them, waving flags.
I tagged along for three blocks. Then came to my senses. It was not yet 7:00 am, I was in my pajamas, without a cent of money. They turned the corner of Pauline and Royal Streets, and I stood on the corner, watching them go.
As I stood there, a young woman came up to me and pressed something into my palm. It was a tiny sharks tooth. Then another woman came and did the same - this time it was a small round acorn. "Water is life," she said to me.
As I watched them go, another resident stood outside his house. "I just got up to pee," he said in amazement.
"A bunch of crusties and stoners," said another guy on the street.
"I'm going back to bed," I said, and I did.
NOW - there is a follow up to this story. I did go back to bed, and when I woke up, about two hours later, I decided to go out for breakfast. I headed uptown to the Marigny, and at Press Street, where the train tracks split the Marigny neighborhood from the Bywater, there was a train on the tracks. While stopped there, I could see the blue lights of police motorcycles, and I could also see young men scaling the train cars, going up and over them.
I waited for about 15 minutes and then did what every Bywater resident has learned to do - go around. I illegally backed up half a block and then headed toward St. Claude Avenue, to cross it and go up to Claiborne Avenue, which arches over the tracks. But to no avail.
St. Claude was jam-packed - the train stoppage had halted a convoy of floats destined for uptown and parades later that day.
Just another example of living in New Orleans at carnival time.