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Between 1945 and 1966, a magazine called Arts & Architecture, responding to the post-war real estate boom, commissioned nationally known architects to build contemporary homes. They were expected to be built with a modest budget, use new but easily available materials, and be suitable for "the average American in search of a home in which he can afford to live."
This challenge, which ended up actually building over twenty homes and one apartment building, was known as the Case Study House Program.
Noted architects such as Richard Neutra, Craig Ellwood, Charles Eames and Quincy Jones designed houses, and many of them are still standing today. But the house that most people remember when they think of the Case Study program is Case Study House #22, by Pierre Koenig, partly because of the incredible photograph by Julius Shulman that leads this post.
I love how casual yet also glamorous the ladies look in their full skirts. I love the way the room is like an illuminated lantern against the dark night. I love the sheer drop into the void beneath the structure. I love the lights of the city streets stretching into the distance.
A little while ago, I was lucky enough to actually tour this house. A friend invited us to join an architectural tour of several Hollywood Hills houses; Case Study #22 was the final stop.
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Mrs. Stahl raised her kids in this house, and she still lives there today. When our tour group visited, she was graciously available to answer questions.
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When I saw the 60s era appliances in Mrs. Stahl's kitchen, I immediately thought of the 22" wall oven in my own home. When it died only 6 months after we moved into the house, we were presented with a dilemma. Replace it with another ridiculously small duplicate? Or remodel the kitchen? I hope our solution, hastened as it was, was compatible with the style of the home.
But I shouldn't be so worried. Even architectural masterpieces need a little tweaking, and sometimes you have to work with materials at hand. At some point in the last 48 years, the Stahls decided their pool deck needed a little more separation from the carport than Koenig provided. So they added this screen made of mass-produced concrete blocks, visible beyond [The Man I Love]'s shoulder in this photo.
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After all, look at the ones in Case Study House #22:
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4 comments:
I so enjoyed this post. Although my tiny little ranch could never begin to touch the hem of this garmet, I too am just fascinated by the house movement after WWII. I would KILL for that bathroom! :)
Our Stepford house is a modern house. More "moderne" than mid-century, but a cool looking place, anyway.
The Faux Town house is just an ugly suburban beast, at least on the outside. I've done what I can with the interior.
I love that whole vibe. I drool over the Neutras and the Schindlers when they oh-so-rarely come on the market.
Have you ever seen the Eames house in the Palisades?
Great post, great. Beautiful place and a find on your part for a subject.
Isn't the Stahl house used in tons of movies? This was a fun post. Go for the bathrooms!
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